{"id":8376,"date":"2023-07-26T11:52:43","date_gmt":"2023-07-26T09:52:43","guid":{"rendered":"https:\/\/carlostejo.com\/portfolio-item\/el-ballestero\/"},"modified":"2026-10-28T19:41:25","modified_gmt":"2026-10-28T18:41:25","slug":"el-ballestero","status":"publish","type":"portfolio","link":"https:\/\/carlostejo.com\/es\/portfolio-item\/el-ballestero\/","title":{"rendered":"El ballestero"},"content":{"rendered":"<div id='av_section_1'  class='avia-section av-5c8tyn-4dbea0f65bc2e588b63c30288c862a74 main_color avia-section-default avia-no-shadow  avia-builder-el-0  avia-builder-el-no-sibling  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-8376'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-g58nj-d5da16a7e409955136faf6689c70901f\">\n#top .flex_column.av-g58nj-d5da16a7e409955136faf6689c70901f{\nmargin-top:0px;\nmargin-bottom:0px;\n}\n.flex_column.av-g58nj-d5da16a7e409955136faf6689c70901f{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n.responsive #top #wrap_all .flex_column.av-g58nj-d5da16a7e409955136faf6689c70901f{\nmargin-top:0px;\nmargin-bottom:0px;\n}\n<\/style>\n<div  class='flex_column av-g58nj-d5da16a7e409955136faf6689c70901f av_one_third  avia-builder-el-1  el_before_av_two_third  avia-builder-el-first  first flex_column_div av-animated-generic fade-in av-zero-column-padding  '     ><section  class='av_textblock_section av-muzct358-005067282607ccc29625086d54b3fd7d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>El ballestero<br \/>\nPerformance<\/p>\n<p>Sala Josep Renau, Facultad de Belas Artes de Valencia<br \/>\nComisariado: El\u00edas P\u00e9rez<br \/>\nFotograf\u00edas: Eduardo Tobar<br \/>\n02\/07\/2026<\/p>\n<p>\u00abEl ballestero\u00bb propone una estructura circular, articulada sobre un gesto de aparici\u00f3n y desaparici\u00f3n. En el centro de la sala, un p\u00e1jaro mec\u00e1nico oculto bajo una bolsa es revelado y puesto en movimiento. Su vuelo acompa\u00f1a la fragmentaci\u00f3n material del Romance del prisionero: los versos, escritos en cartones individuales, se muestran al p\u00fablico y se arrojan al suelo. El poema se convierte en una secuencia de objetos dispersos que cada espectador debe reordenar.<\/p>\n<p>La acci\u00f3n culmina de manera sim\u00e9trica con el motivo central del romance: la muerte de la avecilla a manos del ballestero. La pieza no representa esa violencia: la sugiere. El p\u00e1jaro vuelve a ser cubierto y el trino enmudece. Ese regreso al estado inicial cierra un ciclo que, al repetirse, convierte a la performance en una reflexi\u00f3n sobre la traici\u00f3n, la muerte y la p\u00e9rdida.<\/p>\n<p><strong>Romance del prisionero (an\u00f3nimo, tradicional)<\/strong><br \/>\nQue por mayo era, por mayo,<br \/>cuando hace la calor,<br \/>cuando los trigos enca\u00f1an<br \/>y est\u00e1n los campos en flor,<br \/>cuando canta la calandria<br \/>y responde el ruise\u00f1or,<br \/>cuando los enamorados<br \/>van a servir al amor,<br \/>sino yo, triste, cuitado,<br \/>que vivo en esta prisi\u00f3n,<br \/>que ni s\u00e9 cu\u00e1ndo es de d\u00eda<br \/>ni cu\u00e1ndo las noches son,<br \/>sino por una avecilla<br \/>que me cantaba al albor.<br \/>\nMat\u00f3mela un ballestero,<br \/>d\u00e9le Dios mal galard\u00f3n.<\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2q34n3-2d948de80603efdd16e581204fd16cbe\">\n#top 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entry--><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>2026<\/p>\n","protected":false},"author":2,"featured_media":8384,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"portfolio_entries":[99],"class_list":["post-8376","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_entries-performance-es-2"],"_links":{"self":[{"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/portfolio\/8376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/comments?post=8376"}],"version-history":[{"count":4,"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/portfolio\/8376\/revisions"}],"predecessor-version":[{"id":8393,"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/portfolio\/8376\/revisions\/8393"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/media\/8384"}],"wp:attachment":[{"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/media?parent=8376"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/tags?post=8376"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/carlostejo.com\/es\/wp-json\/wp\/v2\/portfolio_entries?post=8376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}