{"id":8365,"date":"2023-07-26T11:52:43","date_gmt":"2023-07-26T09:52:43","guid":{"rendered":"https:\/\/carlostejo.com\/portfolio-item\/o-besteiro\/"},"modified":"2026-10-28T19:39:44","modified_gmt":"2026-10-28T18:39:44","slug":"o-besteiro","status":"publish","type":"portfolio","link":"https:\/\/carlostejo.com\/gl\/portfolio-item\/o-besteiro\/","title":{"rendered":"O besteiro"},"content":{"rendered":"<div id='av_section_1'  class='avia-section av-5c8tyn-4dbea0f65bc2e588b63c30288c862a74 main_color avia-section-default avia-no-shadow  avia-builder-el-0  avia-builder-el-no-sibling  avia-bg-style-scroll container_wrap fullsize'  ><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-8365'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-g58nj-d5da16a7e409955136faf6689c70901f\">\n#top .flex_column.av-g58nj-d5da16a7e409955136faf6689c70901f{\nmargin-top:0px;\nmargin-bottom:0px;\n}\n.flex_column.av-g58nj-d5da16a7e409955136faf6689c70901f{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n.responsive #top #wrap_all .flex_column.av-g58nj-d5da16a7e409955136faf6689c70901f{\nmargin-top:0px;\nmargin-bottom:0px;\n}\n<\/style>\n<div  class='flex_column av-g58nj-d5da16a7e409955136faf6689c70901f av_one_third  avia-builder-el-1  el_before_av_two_third  avia-builder-el-first  first flex_column_div av-animated-generic fade-in av-zero-column-padding  '     ><section  class='av_textblock_section av-muzct358-005067282607ccc29625086d54b3fd7d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>O besteiro<\/strong><br \/>\nPerformance<\/p>\n<p>Sala Josep Renau, Facultade de Belas Artes de Valencia<br \/>\nComisariado:: El\u00edas P\u00e9rez<br \/>\nFotograf\u00edas: Eduardo Tobar<br \/>\n02\/07\/2026<\/p>\n<p>\u201cO besteiro\u201d prop\u00f3n unha estrutura circular, articulada sobre un xesto de aparici\u00f3n e desaparici\u00f3n. No centro da sala, un paxaro mec\u00e1nico agochado baixo unha bolsa \u00e9 revelado e posto en movemento. O seu voo acompa\u00f1a a fragmentaci\u00f3n material do Romance do prisioneiro: os versos, escritos en cart\u00f3ns individuais, m\u00f3stranse ao p\u00fablico e l\u00e1nzanse ao chan. O poema conv\u00e9rtese nunha secuencia de obxectos dispersos que cada espectador debe reordenar.   <\/p>\n<p>A acci\u00f3n culmina de maneira sim\u00e9trica co motivo central do romance: a morte do paxari\u00f1o a mans do besteiro. A peza non representa esa violencia: sux\u00edrea. O paxaro volve ser cuberto e o trino enmudece. Ese retorno ao estado inicial pecha un ciclo que, ao repetirse, converte a performance nunha reflexi\u00f3n sobre a traiz\u00f3n, a morte e a perda.   <\/p>\n<p><strong>Romance del Prisioneo (anonimo, tradicional)<\/strong><br \/>\nQue por maio era, por maio,<br \/>\ncando fai o calor,<br \/>\ncando os trigos encanan<br \/>\ne est\u00e1n os campos en flor,<br \/>\ncando canta a calandra<br \/>\ne responde o rousinol,<br \/>\ncando os namorados<br \/>\nvan servir ao amor,<br \/>\nsen\u00f3n eu, triste, coitado,<br \/>\nlque vivo nesta prisi\u00f3n,<br \/>que nin sei cando \u00e9 de d\u00eda<br \/>nin cando as noites son,<br \/>sen\u00f3n por un paxari\u00f1o<br \/>que me cantaba ao albor.<br \/>\nMatouma un besteiro,<br \/>d\u00e9alle Deus mal galard\u00f3n.<\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2q34n3-2d948de80603efdd16e581204fd16cbe\">\n#top 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entry--><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>2026<\/p>\n","protected":false},"author":2,"featured_media":8373,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"portfolio_entries":[98],"class_list":["post-8365","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_entries-performance-gl"],"_links":{"self":[{"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/portfolio\/8365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/comments?post=8365"}],"version-history":[{"count":4,"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/portfolio\/8365\/revisions"}],"predecessor-version":[{"id":8391,"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/portfolio\/8365\/revisions\/8391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/media\/8373"}],"wp:attachment":[{"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/media?parent=8365"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/tags?post=8365"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/carlostejo.com\/gl\/wp-json\/wp\/v2\/portfolio_entries?post=8365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}